Oliver is joined by Wuon-Gean Ho, printmaker and research associate at the University of West England’s Centre for Print Research, to discuss the place of mokuhanga, or woodblock printmaking, in the global spread of traditional crafts. Wuon-Gean Ho walks us through her path to mokuhanga, her experience learning from a master printmaker in Japan and how learning these traditional methods have shaped her growth as an artist.
Image and audio credits
[L] Lockdown Chop by Wuon-Gean Ho.
[R] No Lake View, No Cake by Wuon-Gean Ho.
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